Eva Nüßlein / Cyrill Lachauer at Kunstpalais Erlangen: Experience Art


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Public tours of two strong positions in contemporary art
At Kunstpalais Erlangen, public tours open the view to two current solo exhibitions that could hardly be more different and are therefore particularly attractive: Eva Nüßlein's painting Dirty Under the Nails and Cyrill Lachauer's photographic-film project The Sunset Route. Those who want to not only observe contemporary art but understand it in its exhibition atmosphere will find a concentrated art experience with art historical depth and immediate proximity to the works.
Eva Nüßlein: Painting with attitude, rhythm, and direct imagery
Eva Nüßlein, born in 1991 in Bamberg, develops a painting that lives from snapshots, symbols, and atmospheric condensations. Stars, tears, concerts, and skulls form an imagery that is both clear and open. Her works appear like scenes between theater, subculture, and pop aesthetics. The Kunstpalais exhibition emphasizes the accessibility of her works: Nüßlein works with an immediate, publicly readable visual language that takes feelings seriously and excludes no one.
Especially in the examination of the works, the strength of this position unfolds. Nüßlein's painting relies on presence, on rhythmic composition, and on a logic of imagery that recalls music and punk. This lends the exhibition a charged, yet personal aura.
Cyrill Lachauer: Landscape as a narrative space
Cyrill Lachauer, born in 1979 in the Inn Valley, leads with The Sunset Route into another form of contemporary art. His photographic and film works emerge from travels through the USA, Mexico, and Bosnia and revolve around landscape as a carrier of history, memory, and social experience. The project brings together works from the years 2020 to 2026 and combines documentation, poetic observation, and political consciousness.
Particularly impressive is Lachauer's idea of narrative landscapes: places appear not as a backdrop but as complex spaces where people, objects, cultural traces, and voids come together. This perspective makes the exhibition an aesthetic experience between film, photography, and conceptual reflection.
Kunstpalais Erlangen as a place of mediation
Kunstpalais sees itself as a museum for international contemporary art with a strong focus on mediation. Public tours fit perfectly into this approach, as they combine discussion, sensuality, and knowledge. The house presents changing exhibitions in the baroque Palais Stutterheim in the marketplace and is known for its low-threshold, inclusive, and interdisciplinary art mediation.
The visit is also pleasant spatially: The exhibition is centrally located in Erlangen, easily accessible by train, and barrier-free accessible via an elevator. Thus, the museum visit itself becomes part of the art experience.
Conclusion
These public tours offer a precise, inspiring access to two independent artistic signatures. Those who want to experience contemporary painting, photography, and film in the context of a smart curation should not miss the date at Kunstpalais Erlangen. The exhibition promises new perspectives, strong images, and a visit that resonates.
Official channels of Kunstpalais Erlangen:
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- Website: https://www.kunstpalais.de/de/133/Besuch-planen.html










