Whispering in the Noise in Erlangen: Contemporary Object Art with Quiet Force
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When Images Speak Softly: Thomas R. Hoess at the Treppenhaus Gallery
The exhibition Whispering in the Noise – Quiet Suspicions transforms the Treppenhaus Gallery in Erlangen into an open space for thought and perception from September 23 to November 10, 2026. Around 45 object images, collages, and sculptures by the artist Thomas R. Hoess express quiet yet compelling suspicions about the present, the spirit of the times, and human perception.
Object Art Between the Familiar and the Alien
Thomas R. Hoess combines everyday objects, image fragments, and various materials into independent visual narratives. In his assemblages and object images, familiar things lose their original function and gain a new, unsettling presence. Forms, surfaces, and interstitial spaces shift the focus of the artwork to the seemingly trivial.
The works tell, assert, pose questions, and analyze life in the present. Their visual language remains concentrated and nuanced. An object appears both familiar and foreign; from this tension arise irony, ambiguity, and poetic openness.
An Exhibition Atmosphere Full of Nuances
The Treppenhaus Gallery provides an unusual architectural framework for the exhibition. In the light-filled stairwell of the Medical Valley Center, art, movement, and everyday life meet directly. As one passes by, individual details initially appear fleeting before a more attentive observation reveals their narrative impact.
The aesthetic experience arises from the interplay of proximity and distance, familiarity and estrangement. Materials appear concrete yet mysterious at the same time, while the spatial effect continually reorganizes the gaze. Thus, an art experience develops that does not demand quick resolution but rather stimulates curiosity, memory, and personal associations.
Assemblage, Collage, and Sculpture as Forms of Thought
Historically, the exhibition connects to central methods of modern and contemporary object art: collecting, reinterpretation, and rearrangement. Like in assemblage, materials are not only employed as formal elements but are also read as traces of societal reality.
The contemplation of the works opens a vivid access to questions of material aesthetics and meaning formation. What happens when an object loses its function? How does an image change as it interacts with space? And what stories emerge from the connection of seemingly incompatible elements? Whispering in the Noise – Quiet Suspicions links these questions with cultural education and a sensitive perception of the everyday.
The Artist Thomas R. Hoess
Thomas R. Hoess lives and works in Hetzles. His artistic output includes object images, assemblages, collages, sculptures, and photographs. Recurring motifs such as chairs, hourglasses, and everyday objects serve as starting points for questions about time, memory, function, and human existence. Previous exhibitions and artist publications document his ongoing engagement with photography and three-dimensional object art.
Conclusion: An Exhibition for the Attentive Gaze
Visitors can expect a focused exhibition with poetic, ironic, and reflective works. The unique spatial impact of the Treppenhaus Gallery enhances the interplay between everyday life and art, movement and contemplation, noise and silence. Those who wish to not just see contemporary object art but experience it as an aesthetic experience should not miss this exhibition in Erlangen.
Official Channels of Thomas R. Hoess:
- Instagram: no official profile found
- Facebook: no official profile found
- YouTube: no official profile found
- Website: https://www.lichtverlangen.com/
